![]() ![]() ![]() Now this routing is normal and logical, it’s just not explained anywhere to help novice users. No matter what recording software you’re using – and besides Pro Tools I tried it on GarageBand 5.1 and Logic 9.1.1 – you’ll need to switch the input over to channel two before you start twanging. Now, are these device-specific points mentioned anywhere in the manual that covers numerous Pro Tools incarnations? Nope. There are two input channels, but channel one is dedicated to the mic input and channel two is set for the guitar/line input. That said, the first hurdle is getting a noise out of this box and into the computer.ĭouble clicking on the virtual amp in GarageBand reveals input and monitoring options Indeed, aspiring musos and recording engineers can get a feel of how to use the big boys toy from this slim version. With M-Audio’s cheaper hardware – and with it, more basic software – the Pro Tools Recording Studio provides a taster of what the full-blown Pro Tools can offer. ![]() High-end Digidesign audio hardware as well as the more sophisticated versions of Pro Tools software – capable of hundreds of tracks – is commonplace in commercial studios. If you’ll excuse the pun, Pro Tools has quite a track record in the music world. It allows 16 stereo/mono audio tracks, eight software instruments and eight MIDI tracks. Running Pro Tools M-Powered Essential prompts you to choose if you want to use compositional template or configure a set-up yourself. It also features links support areas on the M-Audio site and will check for driver updates. Hooked up to a Mac, the M-Audio control panel in System Preferences lets you choose to record at 16- or 24-bit resolution. This month, Digidesign – and later M-Audio – will be known simply as Avid, so how often updates will take to appear remains to be seen. Fortunately, M-Audio doesn’t hang about when it comes to driver updates and doesn’t abandon older systems too swiftly either. Ready made song templates: there's even a ballad offering that comes up in 6/8 timeĭigidesign is notoriously slow at delivering Pro Tools software updates, with its current M-Powered Essential compatibility for Mac OS X 10.6 and Windows 7 taking five months and three months respectively. The advantage though, is that you can apply realtime effects to your live input and this can be a real performance enhancer. ![]() Have it in the middle somewhere and you can listen to a music sequence and play along with it.įurthermore, when in record you can monitor your instrument or vocal through the computer, but that will introduce latency, which is a short delay in hearing your live playing, which can be off-putting. In short, with it turned hard left to input, you’ll only hear what you have plugged in to the FastTrack, turn it hard right and you’ll only hear what’s playing from the computer. The mix control needs a bit of explaining, as this is used to allow you to monitor both the input and the playback signal. These controls vary mic input level, mix and output, however, there’s no level control for the guitar/line input. Physically, it appears robust and well constructed with the three front panel knobs holding firm with not the slightest lateral wiggle to them. Host powered from USB the FastTrack is encased in a silver painted plastic shell that looks good but isn’t immune to scuffs. Round the back is an XLR mic input, a switchable guitar/line input on a 1/4in jack socket, plus an RCA phono stereo output with a 3.5mm headphone connector on the front panel. While this is no Abbey Road, the FastTrack does provide basic interfacing to get you through most recording tasks. The FastTrack is merely USB hardware married to Pro Tools M-Powered Essential compositional software, with the whole package being called the Pro Tools Recording Studio. Winning combo? M-Audio hardware with Digidesign software make up the Pro Tools Recording Studio ![]()
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